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Question:

I hear that most professional photographers almost always bracket their photographs. Is this necessary? I find it a big nuisance, and generally, my first shot is my best anyway.

 

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Questions and Answers (Q & A's)

From Alan Broder (from Ocean Realm Magazine - June 1993)

Answer:

Generally, the word "bracketing" refers to exposing one or more darker and/or lighter frames of the same subject after taking a frame at the exposure value suggested by the camera’s metering system and after taking one at your "best guess." If you are shooting "TTL" with a Nikonos V, you will reset the ISO dial for a higher number to darken your frame to a lower ISO to lighten. If your are shooting "TTL" with a single-lens reflex camera, this is done by adjusting the exposure compensation dial "+" for a lighter or "-" for a darker image. If you are shooting manual you will close your aperture, turn down power on the strobe, or move the strobe back to darken; or you’ll open the f stop, move the strobe in, or increase strobe power to lighten a subsequent exposure.

I believe that it is best to think of bracketing as a tool-not a rule. Bracketing is a form of insurance. It buys you some confidence that you’ll have an overall properly exposed photograph—but at a cost. The cost is paid in time and film. You might think of bracketing in the context of its purpose. You are trying to come up with as many good—hopefully, excellent photos as you can on a given dive. If you have one camera with thirty-six frames, you’re on a shallow dive in Fiji with maybe an hour or an hour and a half of air in your tank, you’re up to your eyeballs in mind-blowing subjects that your slide files are just crying out for and you’ve been getting fairly consistently good results exposure-wise lately, you may wish to submit to your natural greedy nature and forego bracketing in favor of the prospect of a major jackpot. If it’s a once-in-a-lifetime subject, you may want to cover your nudi-branch, or whatever, with a couple of judiciously taken brackets.

If you have just landed in the middle of an underwater wasteland, you may have to make the most of anything you can find. Since a lot of time will be spent on finding your next subject, and film is not a limiting factor, make absolutely certain that you fully exploit the photographic opportunity at hand by bracketing not only exposure, but camera angle, light balance and direction; and if the subject is moving, you can do it all again when the subject changes position. Bottom line; you are maximizing your take of images; and bracketing is one means to that end. Even on a dive in paradise, with subjects everywhere, you may have a once-in-a-lifetime image in your finder, and you’ll bracket the shot any way you can think of! You buy all the insurance you can get—you spend all your film and all your bottom time.

Some subjects lend themselves to bracketing more than others. Sedentary subjects such as coral, are easy to bracket and contrasting colors may simply look better at one exposure than another. Subjects with IQs measured in less than several decimal points require more selective timing for the desired image to appear ideally on film. Then photographing fish, you may be waiting for a subject to position itself near a certain background, face a specific direction, raise a dorsal fin, make eye contact, etc., etc. Odds are that everything won’t stay right for you to bracket the same exact shot, especially after your 150-megaton strobe just exploded in his kisser. For this reason, make your first exposure as right as possible, and don’t rely on bracketing to yield one good frame out of three or more. If you are using TTL correctly, or have your guide numbers down and are judging distances well, your first shot will usually be either best or close enough to make a near-perfect dupe or print.

Having said all this, it must be noted that for many subjects, there may be more than only one "correct" exposure. Some images look better on the dark side, some lighter. Two photographers may disagree in their judgment as to which of two different exposures of the same subject looks best. Bracketing allows you to choose the best exposure at your leisure. It’s a simple percentage game. When you think that saving your time and film for other subjects will yield the great pictures on a given dive—bracket less. When you’ve got a good subject and you don’t want to gamble on finding a better one—bracket more. Lady Luck and Cousin Murphy will have the final word any way you decide to go!

 

 

 

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